{"id":3650,"date":"2019-12-07T19:27:49","date_gmt":"2019-12-07T19:27:49","guid":{"rendered":"https:\/\/tangodiario.com\/podcast\/amelita-baltar-tania-y-las-tangueras-in-1996\/"},"modified":"2022-06-21T06:54:43","modified_gmt":"2022-06-21T06:54:43","slug":"amelita-baltar-y-tania","status":"publish","type":"podcast","link":"https:\/\/tangodiario.com\/en\/podcast\/amelita-baltar-y-tania\/","title":{"rendered":"Amelita Baltar, Tania y Las Tangueras (in 1996)"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"h-tango-diaro-las-mujeres-en-el-tango\">Amelita Baltar, Tania y Las Tangueras &#8211; Women in Tango<\/h2>\n\n\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Tania-Baltar-Las-Tangueras-1.jpg?resize=256%2C256&#038;ssl=1\" alt=\"Amlita Baltar Tania Las tangueras\" class=\"wp-image-1510\" width=\"256\" height=\"256\" title=\"\" srcset=\"https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Tania-Baltar-Las-Tangueras-1.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Tania-Baltar-Las-Tangueras-1.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Tania-Baltar-Las-Tangueras-1.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Tania-Baltar-Las-Tangueras-1.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Tania-Baltar-Las-Tangueras-1.jpg?resize=1536%2C1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Tania-Baltar-Las-Tangueras-1.jpg?resize=750%2C750&amp;ssl=1 750w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Tania-Baltar-Las-Tangueras-1.jpg?resize=800%2C800&amp;ssl=1 800w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Tania-Baltar-Las-Tangueras-1.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Tania-Baltar-Las-Tangueras-1.jpg?resize=100%2C100&amp;ssl=1 100w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Tania-Baltar-Las-Tangueras-1.jpg?w=1754&amp;ssl=1 1754w\" sizes=\"(max-width: 256px) 100vw, 256px\" \/><figcaption><\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"tania\">Tania<\/h4>\n\n\n\n<p class=\"Text\"><span lang=\"DE\">Today&#8217;s edition<\/span> <span lang=\"ES-TRAD\">of today talks about 6 women who have dedicated themselves to tango with all their being.<\/span> <\/p>\n\n\n\n<p class=\"Text\"><span lang=\"ES-TRAD\">When the Spanish singer Taniaola Tania was born<\/span> <span lang=\"ES-TRAD\">in Toledo, at the end of the 19th century, she will probably always have been a secret. Because she guarded it with care.<\/span> <span lang=\"ES-TRAD\">Tania, in reality Ana Luciano Divis, was the daughter of a Spanish colonel who led the Municipal Band of Toledo.In 1916, Tania made her debut<\/span> <span lang=\"ES-TRAD\" xml:lang=\"ES-TRAD\">as a singer of coplas. With his brother and guitarist Antonio Fern\u00e1ndez Rodr\u00edguez, her later husband, founded<\/span> <span lang=\"IT\">Tr\u00edo Mexicano and <\/span> <span lang=\"PT\">toured Spain and Portugal and Portugal to Par\u00eds. <\/span> <\/p>\n\n\n\n<p class=\"Text\"><span lang=\"ES-TRAD\">In 1924, she traveled\u00f3<\/span> <span lang=\"ES-TRAD\">to Argentina and Uruguay and<\/span> <span lang=\"DE\">discovered the<\/span> <span lang=\"IT\" xml:lang=\"IT\">tango. Soon <\/span>she sang <span lang=\"ES-TRAD\">with such popular orchestras as Fr\u00e9sedo and Firpo. In 1928, she me<\/span>t <span lang=\"ES-TRAD\">and fell in lov\u00f3<\/span> <span lang=\"ES-TRAD\" xml:lang=\"ES-TRAD\">by the legendary poet and composer Enrique Santos Discepolo. They became a couple and Tania  premieres<\/span> <span lang=\"ES-TRAD\">some of his most famous songs such as Uno and Confesi\u00f3n.<\/span><\/p>\n\n\n\n<p class=\"Text\"><span lang=\"ES-TRAD\" xml:lang=\"ES-TRAD\">When I interviewed her<\/span> <span lang=\"ES-TRAD\" xml:lang=\"ES-TRAD\">in 1995 in her dressing room at the Teatro Alvear, in spite of being almost 100 years old, she told me<\/span> <span lang=\"ES-TRAD\" xml:lang=\"ES-TRAD\">the role of women in the world of tango in the 1930s and 1940s, how Razzano presented her<\/span> <span lang=\"ES-TRAD\" xml:lang=\"ES-TRAD\">the famous poet and<\/span> <span lang=\"DE\" xml:lang=\"DE\">from<\/span> <span lang=\"ES-TRAD\" xml:lang=\"ES-TRAD\">her travels with Discepolo through<\/span> <span lang=\"DE\" xml:lang=\"DE\">all<\/span> <span lang=\"IT\" xml:lang=\"IT\">Europe.<\/span> <span lang=\"ES-TRAD\" xml:lang=\"ES-TRAD\">Unfortunately, we were interrupted by Amelita Baltar, who brought Tania on stage for a sound check.<\/span> <span lang=\"DE\" xml:lang=\"DE\">of the show &#8220;Disceplo y nosotras&#8221;.  <\/span><\/p>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"amelita-baltar\">Amelita Baltar<\/h4>\n\n\n\n<p class=\"Text\"><span lang=\"PT\">Amelita Baltar, Astor Piazzolla Piazzolla&#8217;s long-time companion for many years, had performed Piazzolla and Ferrer&#8217;s repertoire exclusively for 27 years.<\/span> <span lang=\"ES-TRAD\">This concert &#8220;Discepolo y nosotras&#8221; was her idea. As told me<\/span> <span lang=\"DE\">Amelita<\/span> <span lang=\"ES-TRAD\">after\u00e9s performance, she was very proud of having dared to sing only Enrique Santos Discepolo&#8217;s songs. <\/span>And she <span lang=\"DE\">was happy<\/span> <span lang=\"ES-TRAD\">that the p\u00fablic<\/span> wa <span lang=\"IT\">enthusiastic about it.<\/span><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Amelita-Baltar.jpg?resize=406%2C406&#038;ssl=1\" alt=\"Amelita Baltar\" class=\"wp-image-3206\" width=\"406\" height=\"406\" title=\"\" srcset=\"https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Amelita-Baltar.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Amelita-Baltar.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Amelita-Baltar.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Amelita-Baltar.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Amelita-Baltar.jpg?resize=750%2C750&amp;ssl=1 750w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Amelita-Baltar.jpg?resize=800%2C800&amp;ssl=1 800w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Amelita-Baltar.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Amelita-Baltar.jpg?resize=100%2C100&amp;ssl=1 100w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Amelita-Baltar.jpg?w=1100&amp;ssl=1 1100w\" sizes=\"(max-width: 406px) 100vw, 406px\" \/><figcaption>Amelita Baltar<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"las-tangueras\">Las Tangueras<\/h4>\n\n\n\n<p class=\"has-text-align-left wp-embed-aspect-16-9 wp-has-aspect-ratio\"><span lang=\"ES-TRAD\">Four<\/span> <span lang=\"ES-TRAD\">women<\/span> <span lang=\"ES-TRAD\">accompanied the two singers, the group Las Tangueras.<\/span> <span lang=\"ES-TRAD\">Amelita had suggested this quartet of women to Tania, as it seemed to her to be more suitable than a men&#8217;s outfit. And Tania  had accepted because she liked the way they sounded.<\/span> <span lang=\"DE\">how they sound. During our conversation in 1996 they told me how<\/span> <span lang=\"DE\">the group &#8220;Las Tangueras&#8221; had been formed<\/span> <span lang=\"ES-TRAD\" xml:lang=\"ES-TRAD\">in 1991 to tour Japan as an all-female ensemble. But<\/span> <span lang=\"DE\">In their opinion, it was more important to play well<\/span> <span lang=\"ES-TRAD\">than being a female ensemble.<\/span><\/p>\n\n\n\n<p class=\"has-text-align-left wp-embed-aspect-16-9 wp-has-aspect-ratio\"><span lang=\"ES-TRAD\" xml:lang=\"ES-TRAD\">And in 1996,<\/span> <span lang=\"DE\" xml:lang=\"DE\">a few days<\/span> <span lang=\"ES-TRAD\" xml:lang=\"ES-TRAD\">  before our interview, the company has celebrated its 5th\u00ba<\/span> <span lang=\"ES-TRAD\" xml:lang=\"ES-TRAD\">anniversary at the Viejo Alamacen with so many famous guests such as Susana Rinaldi, Amelita Baltar and Horacio Ferrer.<\/span> <\/p>\n\n\n\n<p class=\"has-text-align-left wp-embed-aspect-16-9 wp-has-aspect-ratio\"><span lang=\"ES-TRAD\">Listen<\/span> <span lang=\"ES-TRAD\">yourselves<\/span> <span lang=\"ES-TRAD\">for yourselves<\/span> <span lang=\"ES-TRAD\">what these three generations of Tangueras, the almost centenarian Tania, Amelita Baltar, Amelita Baltar<\/span> <span lang=\"DE\">55 years old<\/span> <span lang=\"ES-TRAD\">and the<\/span> <span lang=\"ES-TRAD\">Tangueras<\/span> <span lang=\"DE\">with their twenty years want to tell us &#8230;..<\/span><\/p>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"compra-la-transcripcion-completa-en-la-tienda\"><a href=\"https:\/\/tangodiario.com\/product\/las-mujeres-en-el-tango-una-transcriptcon-exacta-de-la-entrevista\/\">Buy the complete transcript in the store<\/a><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2022\/01\/Las-mujeres-groot-1-scaled.jpg?resize=258%2C365&#038;ssl=1\" alt=\"Women in tango PDF\" class=\"wp-image-2296\" width=\"258\" height=\"365\" title=\"\" srcset=\"https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2022\/01\/Las-mujeres-groot-1-scaled.jpg?w=1810&amp;ssl=1 1810w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2022\/01\/Las-mujeres-groot-1-scaled.jpg?resize=212%2C300&amp;ssl=1 212w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2022\/01\/Las-mujeres-groot-1-scaled.jpg?resize=724%2C1024&amp;ssl=1 724w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2022\/01\/Las-mujeres-groot-1-scaled.jpg?resize=768%2C1086&amp;ssl=1 768w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2022\/01\/Las-mujeres-groot-1-scaled.jpg?resize=1086%2C1536&amp;ssl=1 1086w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2022\/01\/Las-mujeres-groot-1-scaled.jpg?resize=1448%2C2048&amp;ssl=1 1448w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2022\/01\/Las-mujeres-groot-1-scaled.jpg?resize=750%2C1061&amp;ssl=1 750w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2022\/01\/Las-mujeres-groot-1-scaled.jpg?resize=800%2C1131&amp;ssl=1 800w, https:\/\/i0.wp.com\/tangodiario.com\/wp-content\/uploads\/2022\/01\/Las-mujeres-groot-1-scaled.jpg?resize=600%2C849&amp;ssl=1 600w\" sizes=\"(max-width: 258px) 100vw, 258px\" \/><figcaption>Women in tango PDF<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"video-amelita-baltar\">Video Amelita Baltar<\/h4>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"[AHORA] Reviv\u00ed con nosotros el espect\u00e1culo Amelita Baltar en vivo en el Teatro Sol\u00eds de Montevideo.\" width=\"1400\" height=\"788\" src=\"https:\/\/www.youtube.com\/embed\/yNdHl7ffI24?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"wikipedia\"><a href=\"https:\/\/es.wikipedia.org\/wiki\/Mar%C3%ADa_Amelia_Baltar\" target=\"_blank\" rel=\"noopener\">WIKIPEDIA<\/a><\/h4>\n\n\n\n<p>Since her beginnings as a folk singer, Amelita Baltar stood out for her voice and the dramatic talent that is manifested in her interpretations. Her first album as a soloist in 1968, led her to obtain the revelation award at the &#8220;Festival Nacional del Disco&#8221; held in Mar del Plata.<\/p>\n\n\n\n<p>That same year she was heard by Astor Piazzolla who invited her to star in his operita &#8220;Mar\u00eda de Buenos Aires&#8221; composed with Horacio Ferrer. This work, brought to disc, was the beginning of a long and fruitful union. Piazzolla and Ferrer found in her the ideal interpreter and she premiered more than 30 works written by them, marking a historical period of Argentine popular music, reaching its culmination with &#8220;Balada para un loco&#8221;.<\/p>\n\n\n\n<p>Amelita became A. Piazzolla&#8217;s muse, interpreter and accomplice, and the intense years that followed led them to perform together on stages all over Latin America. Based in Paris, their presentations change continually from the Parisian Olympia to the Maracanazinho in Rio de Janeiro.<\/p>\n\n\n\n<p>Separated from Piazzolla, Amelita continues her successful career in Argentina and her continuous tours take her to Holland, Germany, Belgium, France, Switzerland, Turkey, Cyprus, Brazil, Mexico, Uruguay, Chile and the United States.<\/p>\n\n\n\n<p>She does theater, soap operas, Alejandro Agresti calls her from Holland for a participation in his movie &#8220;Luba&#8221;. He recorded several albums that were released around the world.<\/p>\n\n\n\n<p>She has received numerous distinctions, among them the MUDAN (Mujeres Destacadas en el \u00c1mbito Nacional &#8211; Outstanding Women in the National Sphere) in the National Congress. In the honorable Concejo Deliberante she is recognized together with Ferrer on the 30th anniversary of the creation and premiere of &#8220;Balada para un loco&#8221; (Ballad for a Madman). She was also distinguished there as an &#8220;outstanding cultural personality&#8221;.<\/p>\n\n\n\n<p>In the 1990s, together with the contemporary ballet Stagium, she toured most of Brazil with the show &#8220;Tangamente&#8221; dedicated to Piazzola and herself, reaching theaters such as the famous &#8220;Amazonas&#8221; in Manaus and the municipal theaters of Sao Paulo and Rio de Janeiro, among 20 other venues.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today&#8217;s edition is dedicated to 6 very extraordinary women: Tania, Amelita Baltar and Los Tangueras. When exactly the Spanish singer Tanja was born in Toledo at the end of the 19th century will probably always be a secret.<\/p>\n","protected":false},"author":1,"featured_media":3205,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","format":"audio","meta":{"nf_dc_page":"","_eb_attr":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"episode_type":"audio","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":""},"tags":[103],"series":[34],"class_list":["post-3650","podcast","type-podcast","status-publish","format-audio","has-post-thumbnail","hentry","tag-singers","series-losmaestros"],"episode_featured_image":"https:\/\/tangodiario.com\/wp-content\/uploads\/2019\/12\/Tania-Baltar-Las-Tangueras-1.jpg","episode_player_image":"https:\/\/tangodiario.com\/wp-content\/plugins\/seriously-simple-podcasting\/assets\/images\/no-album-art.png","download_link":"","player_link":"","audio_player":false,"episode_data":{"playerMode":"dark","subscribeUrls":{"amazon":{"key":"amazon","url":"","label":"Amazon","class":"amazon","icon":"amazon.png"},"apple_podcasts":{"key":"apple_podcasts","url":"","label":"Apple Podcasts","class":"apple_podcasts","icon":"apple-podcasts.png"},"deezer":{"key":"deezer","url":"","label":"Deezer","class":"deezer","icon":"deezer.png"},"downcast":{"key":"downcast","url":"","label":"Downcast","class":"downcast","icon":"downcast.png"},"google_podcasts":{"key":"google_podcasts","url":"","label":"Google Podcasts","class":"google_podcasts","icon":"google-podcasts.png"},"libsyn":{"key":"libsyn","url":"","label":"Libsyn","class":"libsyn","icon":"libsyn.png"},"rss":{"key":"rss","url":"","label":"RSS","class":"rss","icon":"rss.png"},"spotify":{"key":"spotify","url":"","label":"Spotify","class":"spotify","icon":"spotify.png"},"stitcher":{"key":"stitcher","url":"","label":"Stitcher","class":"stitcher","icon":"stitcher.png"},"the_podcast_app":{"key":"the_podcast_app","url":"","label":"The Podcast App","class":"the_podcast_app","icon":"the-podcast-app.png"},"youtube":{"key":"youtube","url":"","label":"YouTube","class":"youtube","icon":"youtube.png"},"itunes":{"key":"itunes","url":"","label":"iTunes","class":"itunes","icon":"itunes.png"},"mytuner_radio":{"key":"mytuner_radio","url":"","label":"myTuner Radio","class":"mytuner_radio","icon":"mytuner-radio.png"}},"rssFeedUrl":"https:\/\/tangodiario.com\/en\/feed\/podcast\/losmaestros","embedCode":"<blockquote class=\"wp-embedded-content\" data-secret=\"R5wv52OeVq\"><a href=\"https:\/\/tangodiario.com\/en\/podcast\/amelita-baltar-y-tania\/\">Amelita Baltar, Tania y Las Tangueras (in 1996)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/tangodiario.com\/en\/podcast\/amelita-baltar-y-tania\/embed\/#?secret=R5wv52OeVq\" width=\"500\" height=\"350\" title=\"&#8220;Amelita Baltar, Tania y Las Tangueras (in 1996)&#8221; &#8212; Tango Diario - Podcasts about tango and folklore music\" data-secret=\"R5wv52OeVq\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! 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