At the age of 19, he founded the set FIJOS, which means Folkloric, Intuitive, Jazzy, Original and Surrealist. Shortly after, he discovers the baguala during the carnival of Cafayate, when he hears from his balcony three women singing this song form. archaic of northwestern Argentina. It is then when he decides to dedicate himself to the mUse of the Andes and trace the musical treasures from Ecuador to Santiago del Estero in Argentina.

Record so many of these songs creating a “Music Map” and specializes in this repertoire as a singer. Because you don’t see sí as a researcher who sings, but as a singer who explores. In 1952, fundto the dúor folkloreLeda and Seaía with the poet, composer and singer MaríElena Walsh andMake tours by all Europe. In 1956, the two returned to Argentina. They make numerous albums and tours of Latin America.

In the sixties, Leda receives different scholarships to continue exploring and recording this cancer repertoire. In the yearsos 70, meet jóvenes múfolklore with representatives of the Argentine national rock. What seems incompatible at first glance works and creates a musical world very special. In 1989, Leda recorded his famous album “Grito en el Cielo” singing with rock musicians such as Fito Páez, Pedro Aznar and Gustavo Cerati.

In December 1994 I found Leda Valladares in her house. Mand told his travels through Latin America and his experiences with the macumbas in Bahia, Brazil. Let me explainor why the drum, in particular, has a religious and magical power, what fascinates him so much del grito in the musical traditions of the Andes and why he hates Italian operas.

Listen for yourselves to what this great singer, songwriter and researcher, who died in July 2012 at the age of 92, told me in her living room while we had a cup of té and some delicious cookies.

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